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Fortune affects the characters in one sense because of the link between birth and fate. For the male characters, particularly for the two dukes and for Orlando and Oliver, birth relates to inheritance and the wealth they enjoy. Whoever happens to be born first has immediate claim to the family inheritance, although as Duke Frederick shows by usurping his brother, that inheritance is not necessarily secure.
Fortune is initially a matter of critique to Rosalind and Celia, who have grown up under the best possible circumstances as ladies of court. Of Fortune, Rosalind says, “her benefits are / mightily misplaced, and the bountiful blind woman / doth most mistake in her gifts to women” (I.2.34-36). To the ladies, Fortune gives women a poor lot in life, and often she combines good fortune with misfortune. This foreshadows Rosalind’s own misfortune in being banished, when she had previously had the good fortune of living in court privilege.
In Act II, Fortune is again a matter of critique as well as comedy when Jaques reports his first meeting with the fool Touchstone. Touchstone is such a good fool that Jaques says, “and I did laugh sans intermission / an hour by his dial” (II.7.33-34). However, Jaques is jealous of Touchstone’s freedom of speech. He begs Duke Senior, “give me leave / to speak my mind”, showing his dissatisfaction with his own place in life (II.7.60-61). Duke Senior rejects this request. The entire scene is full of jokes and puns, and Touchstone’s commentary on Fortune gives the subject a comedic touch.
Deer hunting appears in both Act II, Scene 1 and Act IV, Scene 2. When Duke Senior first appears on stage, he suggests to his lords that they occupy their time deer hunting. However, the subject saddens him. He says, “And yet it irks me the poor dappled fools, / being native burghers of this desert city, / should in their own confines with forked heads / have their round haunches gored” (II.1.22-25). Jaques is also saddened by the prospect of hunting deer. One lord reports that Jaques is “swearing that we / are mere usurpers, tyrants, and what’s worse, / to fright the animals and to kill them up / in their assigned and native dwelling place” (II.1.63-66). In both these quotes, exiled noblemen express displeasure at the idea of killing deer, the natives of the forest. Jaques goes further by referring to hunting as a form of tyranny or usurpation. This is reminiscent of Duke Frederick’s seizing of Duke Senior throne—just as the younger brother threw the older brother out of his native and inherited court, these noblemen in the forest are removing the deer from their native land.
Later in the play, after the hunt, the exiled lords sing a song in celebration: “take thou no scorn to wear the horn. / It was a crest ere thou wast born” (IV.2.14-15). Although the song devolves into bawdy humor, here the lords associate a deer’s horns with a crest, which was a marker of nobility. The association between noblemen and deer is not unique to Shakespeare, for the custom of hunting deer was strongly associated with the noble class in Shakespeare’s time. The deer in As You Like It represent nobles who are forced from their lands contrary to the customs that granted them those lands in the first place.
Rosalind’s choice of name in disguise, Ganymede, alludes to the Greek mythological story of Ganymede. In Greek mythology, Zeus fell in love with a beautiful Trojan prince named Ganymede. Zeus desired him so much that he abducted him, bringing Ganymede to Mount Olympus to serve as Zeus’ cupbearer. In Greco-Roman and later in English literature, Ganymede is a symbol of male love. Rosalind’s choice of name most explicitly relates to her vanity. When she initially picks it, she says, “I’ll have no worse name than Jove’s own page” (I.3.131). While Rosalind is disguised as Ganymede, the other characters repeatedly comment on her beauty. In Orlando’s first encounter with Ganymede, Orlando calls him a “fair youth” (III.2.392). Later, Phoebe tells Silvius about Ganymede, “the best thing in him / is his complexion” (III.5.123-24). Clearly, even when in disguise as a man Rosalind is aesthetically pleasing.
However, in a more allusive way, the choice of Ganymede as a name relates to the homoeroticism of pastoral literature. In As You Like It, this homoeroticism appears in Phoebe’s love for Ganymede, with both characters being played by male actors.
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By William Shakespeare